This Month in History - The Lawrence Massacre
In the month of August, on the 21st, in 1863, about 450 irregular Confederate raiders attacked the pro-Union town of Lawrence, Kansas. The bushwhackers were led by William Quantrill, with the group being known as 'Quantrill's Raiders'. They were a brutal party of men that operated along the Missouri-Kansas border. The band of partisan rangers were created to fight Union forces and pro-Union civilians using ruthless tactics. Some of the more infamous members were the future outlaws, Frank and Jesse James, as well as Cole Younger. The notorious Confederate guerrilla group targeted Lawrence, Kansas due to the location being a center for anti-slavery Jayhawkers, and also a Union stronghold. This attack became known as the Lawrence Massacre. It resulted in the deaths of roughly 150 men and boys, as well as the burning of much of the town. The raid led Union authorities to issue the General Order No. 11. This determined the fundamental rules governing the actions of military sentries, covering duties, safety, and conduct. The order forced the depopulation of rural areas in several pro-Confederate counties in western Missouri to cut off support to the guerrillas. The U.S. Army also built temporary military posts around Lawrence to protect the area. Despite the immense devastation, the surviving residents of Lawrence refused to abandon the settlement. Instead, they rallied and rebuilt their city.
The Life and Afterlife of Jimi Hendrix
Jimi Hendrix was one of the greatest and most influential guitarists of all time. His band, the Jimi Hendrix Experience, was just that, an experience. They blazed a path through music like none other with Jimi leading as band conductor, conjuring music magic. Hendrix music genius burned intense, but not for long as he entered the storied 27 Club when he died at the age of 27. Many claim that Jimi's spirit continues on in the afterlife, haunting several locations. Join us for the life and afterlife of Jimi Hendrix.
Hendrix was born as Johnny Allen Hendrix on November 27, 1942 to James Allen Hendrix - who went by Al - and his wife Lucille in Seattle. The couple had married on March 31, 1942, three days before the senior Hendrix was sent off for basic training after being drafted into the Army during World War II. Johnny was born eight months later. The military didn't allow Al to go see his newborn son. As a matter of fact, he wouldn't meet Jimi for three years and Lucille struggled to raise Jimi on her own. She gave him to family members for those first couple years. In 1946, Hendrix's parents changed his name to James Marshall Hendrix to give him his father's first name and his uncle's first name became his middle name.
These early years for Jimi Hendrix were tough with his dad unable to find good work after getting out of the Army. Both Al and his wife Lucille were alcoholics. This led to violent fights that would have little Jimi hiding in his closet. Jimi was joined by four younger siblings: Leon, Joseph, Kathy and Pamela.
Joseph, Kathy and Pamela were given up to the foster system and adoption. Leon was bounced around quite a bit as well, occasionally being reunited with Jimi who obviously lived in constant fear of separation from Leon and his parents. Jimi would later tell a girlfriend that he had been sexually molested by a man in a uniform, so he had that on his plate as well. When he was nine, his parents divorced and Leon and Jimi went to Al. It was at about this time that Al started noticing that Jimi had a serious interest in music. Young Jimi would sit on the end of his bed and as Al shared, "I used to have Jimmy clean up the bedroom all the time while I was gone, and when I would come home I would find a lot of broom straws around the foot of the bed. I’d say to him, `Well didn’t you sweep up the floor?’ and he’d say, `Oh yeah,’ he did. But I’d find out later that he used to be sitting at the end of the bed there and strumming the broom like he was playing a guitar." Jimi was interested in B.B. King, Muddy Waters, Howlin’ Wolf, Buddy Holly, and Robert Johnson. Al found an old one-string ukulele and he gave it to Jimi, so he had something better to strum. Al saved up some money and in the summer of 1958, he bought a five-dollar, second-hand acoustic guitar from a friend. Jimi practiced on it and learned some licks from a guitar playing friend named Billy Davis and then joined his first band, which was named The Velvetones. The acoustic guitar was hard to hear over the rest of the band. Jimi decided to leave the band a pursue his own interests.
The year 1958 would also bring the death of Jimi's mother from cirrhosis. He was fifteen at the time. His father poured him and his brother Leon some whiskey and told them that was how men dealt with loss. A little later, Jimi started begging his dad to buy him an electric guitar. At first, Al refused, but he finally relented and bought a Supro Ozark 1560S. Jimi then joined The Rocking Kings.
That electric guitar ended up getting stolen backstage a few months later, but Al was so proud of what his some was doing, he bought him another guitar, a red Silvertone Danelectro. When Jimi wasn't playing, he was getting himself into a bit of trouble. His friends liked to hotwire cars and he was caught in stolen cars twice. The authorities told him that he had two choices when he was 19. He could go to jail or he could join the Army. He opted to enlist in the United States Army in 1961. Jimi did well and in November 1962 earned the right to wear the “Screaming Eagles” patch for the paratroop division. Music was still his thing while he was enlisted and at Fort Campbell in Kentucky he Jimmy formed The Casuals with bassist Billy Cox. Jimi wrote his dad about his experiences at Fort Campbell, "There's nothing but physical training and harassment here for two weeks, then when you go to jump school...you get hell. They work you to death, fussing and fighting." Then came a parachute jump that didn't go well and Jimi broke his ankle. The injury was bad enough that he was medically discharged. At least according to some reports. There doesn't seem to be any official records reflecting this and there are other stories that he was discharged because his platoon sergeant, James C. Spears, filed a report that said, "He [Hendrix] has no interest whatsoever in the Army...It is my opinion that Private Hendrix will never come up to the standards required of a soldier. I feel that the military service will benefit if he is discharged as soon as possible."
Whatever was the true story, Jimi was out of the army. Billy Cox was a fellow service member who had been in The Casuals with Jimi and when he was discharged, he joined up with Jimi and they reformed the group and changed the name to King Kasuals.
They performed in Tennessee and while there, Jimi saw a guitarist playing with his teeth. After watching another guitarist do the same thing, Jimi took it up. He said of this, "The idea of doing that came to me...in Tennessee. Down there you have to play with your teeth or else you get shot. There's a trail of broken teeth all over the stage." For some time, the group played small venues for very little money and then they decided to head to Nashville and they set themselves up on Jefferson Street, which at the time was the heart of the rhythm and blues music scene and where the black community gathered. The street served as a legendary stop on the "Chitlin' Circuit" and a place that began to fuel the Civil Rights Movement. The Jefferson Street Sound Museum's website shares, "Retail, restaurants, pharmacies, funeral homes and churches were opening on Jefferson. You could be born, marry, raise your family, and be buried without ever leaving your Jefferson Street neighborhood." Locations like The Silver Streak ballroom featured Duke Ellington, Cab Calloway, Count Basie, and Ella Fitzgerald and the Blue Room at Del Morocco had Little Richard, Ruth Brown, Nat King Cole and Duke Ellington and Ella Fitzgerald performed here as well. The Golden Age of Jefferson Street lasted from the 1930s until 1965. The King Kasuals had a brief residency at Del Morocco.
Jimi needed extra money and he worked as a session guitarist under the name Jimmy James for acts like Ike and Tina Turner, Sam Cooke, the Isley Brothers, and Little Richard. Jimmy parted ways with Little Richard to form his own band, Jimmy James and the Blue Flames, shedding the role of back-line guitarist for the spotlight of lead guitar.
In 1964, Jimi decided to break out on his own and he ended up in Harlem. There he met Lithofayne Pridgon who went by Faye. The two started dating and with Faye's connections to the music scene in Harlem, he made some friends. Faye encouraged him to compete in an amateur contest at the Apollo Theater in February 1964 and he won first prize. Shortly after that, Ronnie Isley gave Hendrix an audition and the Isley Brothers asked him to become their guitarist. He toured with them for most of 1964 and then jumped to Little Richard's touring band. It would be during a performance with Little Richard's band on Night Train in July of 1965 that Hendrix would have his first live footage of him performing. Later that month, Little Richard's brother Robert would fire Hendrix for tardiness, wardrobe and the way Jimi conducted himself on stage. Hendrix joined Curtis Knight and the Squires and played with them for eight months. Hendrix got a recording contract with Sue Records that lasted for two years, but before it was over he signed a three-year contract with entrepreneur Ed Chalpin. This would cause legal problems for Hendrix later.
In 1966, Hendrix moved to Greenwich Village and he played the rounds of smaller venues there. During a July performance, he met the Animals’ bassist Chas Chandler during a performance at Caf‚ Wha? and he was impressed with Jimi’s performance. In September, Chandler returned and signed Hendrix to an agreement that would take him to London to form a new band.
It was at this time that Chandler had Jimi change his name to the J-I-M-I spelling. Drummer Mitch Mitchell and bassist Noel Redding were brought on board and the Jimi Hendrix Experience was born. London fell in love with the group and they soon became the talk of the town. Jimi had formed his style and material shortly before this in a short lived group he put together called Jimmy James and the Blue Flames. This style was described as mesmerizing and would become his trademark. The Experience recorded their first single, "Hey Joe" and it spent ten weeks on the UK charts, topping out at spot No. 6 in early 1967. This gave the band the encouragement they needed to record a full-length album, which would be "Are You Experienced." This was a psychedelic musical compilation with the tracks “Purple Haze,” “The Wind Cries Mary,” “Foxey Lady,” “Fire,” and “Are You Experienced?” Purple Haze opens the album with those first strums of the signature Hendrix chord on the electric guitar and before long you are kissing the sky in a purple haze. This isn't about drugs although many people assume it is. Rather, it's a dreamlike love song. The song is from the perspective of a man infatuated with a woman to the point of being dazed and confused. The descriptor of purple haze probably was inspired by the science fiction he liked to read. A Philip Jose Farmer story called "Night of Light," Farmer describes sunspots that produce a purplish haze that has a disorienting effect on people. Purple haze also appears in Ayn Rand's "The Fountainhead." Purple Haze would be the second single released by The Experience.
Some of the inspiration for the love songs on the album, specifically "Foxey Lady," came from writer Kathy Etchingham whom Hendrix met in London and the couple dated for nearly three years. This would be his most significant relationship. When they met in 1966, she was a DJ in London and knew everybody there was to know in music at the time like The Beatles and The Who. The couple drifted apart at the end of 1968.
Hendrix second album was "Axis: Bold as Love" dropped in 1967 and is lauded for its melodic guitar work and revealed that Hendrix was a poetic genius of songwriting. "Castles Made of Sand" really reveals this. The album is a psychedelic and funk trip that generated controversy over its album cover featuring Hindu religious iconography. That imagery actually was not from Hendrix and he publicly expressed his dissatisfaction with it. The album was certified platinum and is ranked number 92 on Rolling Stone's 2020 list of the "500 Greatest Albums of All Time." Hendrix returned to America in June 1967 and performed at the Monterey International Pop Festival. His performance of "Wild Thing" drove the crowd nuts and from then on, The Jimi Hendrix Experience became one of most popular and highest grossing touring acts in the world. The iconic image of Hendrix setting his guitar on fire and conjuring flames from it came from this festival. Rolling Stone's Alex Vadukul wrote of this moment, "When Jimi Hendrix set his guitar on fire at the 1967 Monterey Pop Festival he created one of rock's most perfect moments. Standing in the front row of that concert was a 17-year-old boy named Ed Caraeff. Caraeff had never seen Hendrix before nor heard his music, but he had a camera with him and there was one shot left in his roll of film. As Hendrix lit his guitar, Caraeff took a final photo. It would become one of the most famous images in rock and roll."
Back here in America, Jimi built himself a studio in New York City named Electric Lady Studios. The album "Electric Ladyland" dropped in 1968 and would be Jimi Hendrix's third and final studio album and it is considered his best. This was a double LP and the top single off of it is a cover of Bob Dylan's "All Along the Watchtower." This would be The Experience's only number one album.
The demands of touring and studio work really took a toll on The Experience and by 1969 the band had disbanded. The band members were tired of Hendrix's unpredictable work ethic and he could be a tyrant in the studio wanting everything his way. The band had mostly just become a back-up band and they wanted more. There last performance together was at Barry Fey's Denver Pop Festival hosted at Mile High Stadium. The show got crazy with police having to use tear gas on the audience and fans nearly crushed a rental truck that had to carry the band away. The break-up wouldn't hurt Hendrix at all. He was the world's highest-paid rock musician at that time. In the summer of 1969, the Woodstock Music and Art Fair was hosted and Hendrix headlined the line-up. Jimi was joined by Mitch Mitchell, Billy Cox, Juma Sultan, and Jerry Velez. He was apprehensive about playing when he heard how large the crowd was because he liked to play in more intimate settings. The mud-soaked audience loved the performance.
Hendrix formed a new band with bassist Billy Cox and Electric Flag drummer Buddy Miles and they called themselves the Band of Gypsys and they did four New Year’s performances that were compiled and later released on the1970 album Band of Gypsys. Billy Cox stuck around and Mitch Mitchell came back and the Jimi Hendrix Experience was reborn.
There were some bad feelings about this because Noel Redding had not been told that Jimi had no intention of having him in the re-formed Experience and so he showed up in NYC expecting to participate in rehearsals and was told Billy Cox had replaced him. Redding had every reason to be shocked as he had just been interviewed by Rolling Stone with both Hendrix and Mitchell and they talked about how they were re-forming. Albums have been released posthumously. One of the best that reveals the direction that Jimi was probably heading was "Blue Wild Angel at the Isle of Wight." This was a live album released in 2002. It's a great listen and Hendrix almost sounds like he has a bit of an English accent he has adopted. One of my favorite performances of Hendrix is his "Star Spangled Banner" at the Woodstock Festival in August 1969. It's cool how he wove in pieces of "America the Beautiful" and "Taps" in the feedback and distortion he played. Woven through all of this success was a demon the Hendrix couldn't beat. He started off like his parents in 1962 with alcohol. Alcohol was described as the scourge of his existence. It would drive him to occasional outbursts that could get violent. Pot, hashish, heroin and amphetamines were other drugs he used throughout the 1960s, with a little cocaine here and there. There are discrepancies as to when Hendrix first took LSD, but there is no doubt that he was on it at the Monterey Pop Festival in 1967. Kathy Etchingham wrote of his use of LSD, "Like most acid-heads, Jimi had visions and he wanted to create music to express what he saw. He would try to explain this to people, but it didn't make sense because it was not linked to reality in any way." Some intoxicated outbursts got him arrested and he even once hit a girlfriend above the eye with a vodka bottle and she needed stitches. It would be these drugs that were blamed for his death.
The standard narrative around Jimi's death is that he overdosed on drugs, which caused him to choke to death on his own vomit. But many people dispute this as the cause. The main witness to everything was a German artist named Monika Dannemann (DAHN eh mehn). On September 17, 1970, Hendrix was staying with her at her apartment in the Samarkand Hotel in London. Dannemann made dinner for the couple and they shared a bottle of wine at 11 pm. Jimi wanted to go to a party at a friend's house, so she drove him there around 1:45 am. After about an hour, he called her to come pick him up and the two arrived back to her apartment at 3 am. They stayed up and talked until around 7 am and then decided to get some sleep. Dannemann said she thought that Hendrix took around nine Vesparax sleeping pills. Dannemann woke up around 11 a.m. and found Hendrix unconscious and unresponsive, but still breathing. She called for an ambulance at 11:18 am, and it arrived nine minutes later and they took Hendrix to St Mary Abbots Hospital where he was pronounced dead at 12:45 p.m. on September 18th. An autopsy by Coroner Gavin Thurston revealed that Hendrix had aspirated his own vomit and died of asphyxia while intoxicated with barbiturates. But he ended it with "insufficient evidence of the circumstances." This left an open verdict. Hendrix embalmed body was flown to Seattle and funeral services were held at Dunlap Baptist Church with his body being interred at Greenwood Cemetery in Renton, Washington where his mother was buried. He was exhumed and reburied under a better memorial in 2002. His father and step-mother were buried in the vault there with him.
But not everybody believes that Hendrix died from an accidental overdose. With an open verdict on the autopsy, it left doubts. Then Dannemann’s story changed multiple times with changing timelines, inconsistencies and conflicting statements. The paramedics who responded to her call said that she wasn't in the apartment when they arrived.
There seemed to be a significant delay of several hours before emergency services were contacted. Kathy Etchingham disputed claims Dannemann made about her relationship with Jimi. Dannemann claimed they were engaged. A friend named Philip Harvey had been talking to Jimi at the Samarkand around 10 pm when Dannemann stormed out of the place screaming that she was leaving. Hendrix followed after her wondering what was going on and the couple fought outside, making a scene. Harvey went out and asked them to come inside and Dannemann told him to mind his own business. He said, "At around 10:30 p.m. Jimi came back into the house alone and walked into the reception room. … He apologized profusely for Monika’s behavior and said that she was very embarrassed. He said he didn’t really know what was wrong with her but she had obviously had too much to drink. He said that Monika refused to come back into the house and that, as he couldn’t abandon her, he would have to leave with her. … Monika was still screaming at Jimi as they left and she did not say a word to me. The time was about 10:40 p.m.” How could she be making dinner for him and drinking wine at 11 pm if they had already left? A woman at the party named Angie Burdon wrote a letter to Kathy Etchingham that said, "That chick [Dannemann] came back about half an hour later. Jimi got Stella [Douglas] to put her off. She called up on the intercom. She came back again. Jimi put her off his time. By then he seemed quite uptight. I know Jimi, so I knew what he was feeling. She came back again. He got angry because she wouldn’t leave him for long enough. In fact, she was begging him...He asked Stella again to put her off. Stella was rude to her, and the chick asked to speak with Jimi. Well, when he finally got to the intercom, he mumbled something, and then without saying anything, just got into the lift and split. That was around 3 a.m."
The picture we are getting here is that Dannemann is unreasonable and extremely jealous, thinking that she and Jimi have some kind of relationship that they do not have. Some people claim she was simply an employee who assisted him by driving him places. A breakdown of Jimi's last few hours reveals inconsitencies in Dannemann's version of events.
After getting back to her apartment, she said she made a tuna fish sandwich for Jimi. The autopsy only revealed long grain rice in his stomach from a vegetarian meal served to him at the party. There was no tuna in his stomach. The coroner based the time of death at 5:30 am because of the level of digestion of the rice. At 6:30 am, Dannemann starts making calls to friends, the first a woman named Alvenia Bridges who isn't available. She then calls Eric Burdon who said in an interview later that “It was still dark” when he got the call and that Dannemann was distraught because she said Jimi was unconscious and she couldn't wake him. Burdon tells her to call an ambulance. He then said, "She argued about it, saying that there were incriminating things in the flat, which I guess she took care of." In a deposition, Dannemann claimed that Jimi was awake at 7 am and that she took a sleeping pill and went to sleep at that time. She claimed to awaken at 9 am.
A former roadie of The Animals who was friends with Hendrix, dashed off to a hotel called the Cumberland where he thought Hendrix was staying because he had heard Jimi was having trouble. This was between 8 and 9 am. When he doesn't find Jimi, he heads over to Burdon's hotel and hears him on the phone with Dannemann telling her to call an ambulance at 9:30 am. So we have a timeline issue here. It wouldn't be dark at 9:30 am, so was Burdon misremembering?
Mitch Mitchell is told Jimi is dead at 9:30 am, but he hasn't been to the hospital yet. Dannemann claims to awaken at 10 am and she leaves to get cigarettes with Jimi sleeping soundly. So she couldn't be on the phone with Burdon and him telling her to call an ambulance at 9:30 am. Unless she's lying about her timeline. On the day Hendrix died, Dannemann told the police she woke up at 11 am and Jimi had vomit on his face and she couldn't wake him up. She retracted that in a 1994 deposition in Seattle. We know for sure that an ambulance was called for at 11:18 am based on phone records. The ambulance arrives at 11:27 am. Dannemann reports that the paramedics check vitals and say everything is fine, nothing to worry about. The paramedics remember the event quite differently. One said, "It was horrific...He was covered in vomit. There was tons of it all over the pillow – black and brown, it was. His airway was completely blocked, all the way down. His tongue had fallen back...John ran up and radioed for the police. He got the aspirator too. We felt his pulse between his shoulders, pinched his ear lobe and nose, shone a light in his eyes. But there was no response at all. I knew he was dead as soon as I walked in the room." The other paramedic said, "I knew it was hopeless. There was no pulse, no respiration. We knew he was gone...But we are not doctors. It’s our job to keep trying until we get him to the hospital. As soon as the police arrived, we were off. When they arrived, the door was wide open and no one was with Hendrix. The vomit was dry, so they figured he had been dead quite a while.
Now why would somebody lie about these events? Could Hendrix have been murdered? Some people think that is the case. Brad Schreiber co-authored the book "Becoming Jimi Hendrix" and he thought that Hendrix was murdered and claimed evidence suggested large amounts of red wine were forced down his throat, and the wine filled his lungs, leaving little in his stomach.
Did Dannemann kill him in a jealous rage? Some people think it was his manager, Mike Jeffrey, who was facing financial ruin. He may have owed the mob money and so he decided to cash in on Hendrix's life insurance. A roadie named James “Tappy” Wright said that Jeffrey had confessed to him that he arranged Hendrix’s death. What is the truth? We'll probably never know. Maybe that's why his spirit is hanging around. We will say that the sleeping pills were from Germany with German directions, so if Hendrix helped himself to them, he didn't know how much he was taking. And if he was already drunk or high, his judgement would be marred. Jimi Hendrix had a strong connection to the paranormal. He seemed to have a premonition about his own death. He knew he wasn't going to live a long life. He knew he would never see 30-years-old. Hendrix seemed to carry a sense of doom and he liked to call himself Jinx Hendrix. Some of his lyrics also reflected his sense of an early death.
Hendrix actually had encounters with UFOs. Jimi and his brother Leon claimed they saw a UFO with pulsating lights over their home state of Washington when they were young boys. Another experience was in 1965 when he was a member of Curtis Knight and the Squires. The group was stranded in a blizzard near Woodstock, New York when they saw a glowing cone-shaped UFO land nearby. The UFO had a door that opened up and out walked a tall, yellow-skinned being that radiated heat. The heat melted the snow and they were able to get their van out of the snow. Knight said that Hendrix claimed to have a conversation with the alien telepathically and that he thanked the being for its help. Or were they just all on some acid trip?
Electric Lady Studios was Hendrix's beloved studio in Greenwich Village. It started as a nightclub called The Generation that hosted Big Brother & the Holding Company, B.B. King, Chuck Berry, Dave Van Ronk, and Sly & the Family Stone. When it closed, Hendrix wanted to buy it and reopen it as a club, but a couple of advisors suggested that he convert it into a professional recording studio. The studio was unique in that it was the only one owned by an artist at the time. Today, it is considered hallowed ground for recorded music. The Rolling Stones, Led Zeppelin, Stevie Wonder, David Bowie, and Patti Smith all had sessions here in the 1970s. Modern sessions include Sabrina Carpenter, Taylor Swift and Kendrick Lamar. Jimi is said to still be here. Staff have claimed through the years that the televisions will suddenly go to static. They have heard doors slam on their own and heard disembodied footsteps. A shimmering figure has been seen. Michael Brauer is a Grammy-winning mixer and he told the New York Post in 2024, "Pretty much every assistant I know has had some kind of sighting late at night when they are alone." He thought his assistant had walked into the lounge and he said, "I called out to him because I needed him to patch something, but he didn’t respond. I called out again, nothing, so I got up and as I was heading to the door, [my assistant] came walking in from the other direction. I [investigated] the live room; it was empty. My assistant had been in the bathroom." Nearly every artist who has recorded here from the 1970s until now, claims to feel Jimi’s presence guiding them.
The Handel Hendrix House is located at 23 and 25 Brook Street in London. This is where Jimi lived while in London from 1968 to 1969. This is two houses separated by a wall. Hendrix lived in the upper floor of 23 Brook Street and 200 years previously, Handel lived in 25 Brook Street. Today, this is a museum featuring live music and tributes and displays to both musicians. It was here that Hendrix met the ghost of Handel. A legend claims that Hendrix was brushing his teeth one night and he saw Handel’s ghost in the mirror. Rather than feeling fear, he felt inspired.
Jimi Hendrix has an amazing grave at Greenwood Memorial Park in Renton. It features a towering marble dome gazebo. There are several engraved granite tombstones around the burial. People leave flowers, guitar picks and incense. Ghost hunters have attempted to contact Hendrix’s spirit using EMF detectors and spirit boxes and some interesting things have come through. Speaking of trying to contact Hendrix, Guitar World magazine and ABC’s Good Morning America staged a séance on the 23rd anniversary of his death in 1993. They had an amulet that was formed from some of Hendrix's hair and one of his Flying V guitars to use as trigger objects. No answer seemed to come from Hendrix. A bronze statue of him on the Isle of Wight is said to have Hendrix's music sometimes playing around it from the beyond.
There is no doubt that Hendrix was a master of funk grooves. His playing and production was innovative and has inspired scores of musicians. He died far too young. Is that why his spirit might still be hanging around? Is Jimi Hendrix hauntings these various locations? That is for you to decide.
No comments:
Post a Comment